By Periplus Editions
288 web page, illustrating and knowledge about:hardiness area map, annuals, perennials, shrubs, timber, fruit and nut bushes, cacti, succulents, orchids, ferns, cycads, climbers and creepers, and a reference desk.
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It was a sort of forced-march approach to creativity,” he admitted to me over the sound of the café’s cappuccino frothers. He’d always wanted to be a full-time musician, and he figured the only way to prove to himself he could do it was with a drastic challenge. “I learned that it is possible to squeeze a song out of just about anything,” he said. ” Given the self-imposed time constraints, the “Thing a Week” songs are remarkably good. Coulton tends toward geeky, witty pop tunes: one song, “Tom Cruise Crazy,” is a sympathetic ode to the fame-addled star, while “Code Monkey” is a rocking anthem about dead-end programming jobs.
It was like a drug, I guess. ” He laughed at this, but he was coming to the crux of something: “It gets harder and harder to achieve that. qxd 6/30/08 11:26 AM Page 15 BILL WASIK 15 the one to discover that band. When you hear someone talk about Clap Your Hands Say Yeah, and you’re hearing that David Byrne loves them, or David Bowie. And—wow, I saw them! And it was packed! “But the second time,” he went on, “well, now it sold out early, and it’s at a bigger club. And I’m not that guy anymore.
Qxd 6/30/08 11:26 AM Page 11 BILL WASIK 11 the start, doing all the tracking with someone else and having them at the board? ” Instead, Adam recorded (often playing all the parts) and produced all the songs essentially by himself. If he owed the Internet for his band’s sudden popularity, he owed his creative control to an equally revolutionary technology: PC-based sound-engineering software, particularly the cheap (a stripped-down version is free), remarkably powerful, and now basically ubiquitous ProTools; Adam is of a generation of musicians accustomed to producing CD-quality music in their teenage bedrooms.